Emma Swan Once Upon a Time Wiki. Upon return to Storybrooke, Emma reenters the diner from the entrance, putting on a cold mask towards her confused family and friends. Seeing Mr. Clark wearing her trademark red jacket, Emma callously questions who he is supposed to be, and out of annoyance, she turns him to stone. Regina threatens to fulfill what Emma asked her to do if she ever went too far, but Emma reveals she has the dagger now. To keep Hook's secret under wraps, Emma lies to the group, professing she will punish them for what they did to her. The Dark Swan", "The Price", "Broken Heart")Hearing Henry summon her, Emma magically appears at the dock, where she warmly greets him and moves to touch his hand, but he pulls away. Recalling what she had said last night, Henry apologizes for failing her, but Emma assures him that she meant everyone except him.

Regina approaches, telling her to get away from her son, while Emma coolly stands her ground. When Regina questions her about the memory wipe, Emma admits she removed those memories for a reason, causing Regina to vow that she will retrieve them no matter what. However, Emma confidently points out it's impossible as she built new curse to be unbreakable since there's no savior to undo it. Later, Emma appears before Hook, who accidentally calls her, before she whisks him to the front of her new house.

She invites him in, playfully stating that they can still be together, and gives him a drink. He has other ideas, however, and kisses her. Much to his despair, true love's kiss doesn't work on her, but Emma insists it failed because she doesn't need fixing as she has accepted who she is now.

Hook refuses to accept this and asks what happened in Camelot, though Emma dances around the question, citing that it'd be no fun to give him a straight answer. She tries to charm him into staying, but Hook leaves. That night, Regina confronts Emma about the fury that has kidnapped Robin because of an unpaid price of magic, asking her to call the creature off, but Emma reveals Regina is the one who didn't pay the price. With growing agitation, she challenges Regina to be the savior and do what needs to be done. After Regina defeats the fury and the townspeople are having a night out at the diner, Emma watches from across the street before leaving. At home, Emma sees Rumplestiltskin, who tells her that her weaknesses, such as her need to protect her loved ones, will always hold her back, as they did with all the other Dark Ones that came before her, but she can snuff out the light. He leads her to the basement, where Excalibur is buried in the stone, tempting her to unite the sword with the dagger to be rid of any hope of light inside her.

Emma attempts to pull the sword out, only to be thrown back by a barrier, as Rumplestiltskin cackles that she must pay a price first before extracting the sword. The Price")In the mines, Emma surprises the dwarves by stealing Happy's ax, which she uses to try and unearth Excalibur from the stone, but instead, it breaks the ax. Prompted by Rumplestiltskin, she sets out to find a certain hero to pull it out. Somehow, Emma discovers Belle is making a healing spell to wake Mr. Gold, but the last ingredient must be something that once touched him when he wasn't the Dark One yet. Suspecting Hook may have it, Emma orders a takeout from Granny's with a note asking him to meet her on his ship.

Below deck, she apologizes to him for how she behaved last time and asks him to have lunch with her. In an instant, Emma magically sets up their meal and changes herself into the same dress and hairstyle she had on their first date. As the ship sets sail by Emma's magical influence, Hook gets straight to the point, asking what is behind the door in her house. When she doesn't answer, Hook notes she is not the old Emma, as the person he knew didn't play games.

Emma Swan, also known as the Savior and the Greatest Light, formerly as the Dark One or the Dark. Bryce Dallas Howard (born March 2, 1981) is an American film actress, director, producer, and writer. Howard attended New York University's Tisch School of the Arts.

Emma affirms she is better as the Dark One, free of her past closed- minded and judgmental personality, and suggests they can move forward together if he is willing. Hook is appalled at this, to which she exemplifies Mr. Gold, who used to be a coward and didn't find true love until becoming the Dark One. Recalling that Hook told her about how Mr. Gold had groveled at him, Emma believes that Mr. Gold became better after the change. Hook owns up to being the villain in that situation, and he explains how he had pointed a sword at Mr.

Gold, who was a good man trying to keep his family together, and becoming the Dark One made him evil and manipulative, while Hook himself changed for the better. Emma changes the subject, taking the sword, and tries to remind him of how she taught him to swordfight in the alternate reality. Tired of her games, Hook calls her out for wanting something from him. She asks if he loves her, promising to leave if he doesn't, but he states he loved her, causing her to depart shortly after. When Mr. Gold is close to waking from his coma, Emma kidnaps him to her house basement, where she crushes the sword over him to complete the healing spell. Once he awakens, she reveals her plans about making him a hero. Siege Perilous")While in her home basement, Emma twirls a middlemist rose in her hand, while an imprisoned Mr.

Gold tries to sympathize with her about knowing what the darkness feels like. He insists she needn't give into it and should set him free, but Emma reasons that he is the only one who can get the sword for her. He has doubts about being the hero she wants, though she hints there is a secret weapon to help him become that hero. She then goes to her car that is hidden in a tunnel, where she approaches Merida, who is tied to the front of the vehicle. After magically undoing Merida's binds, Emma rips out her heart, commanding the redhead to fetch her bow from the car. Emma then explains her plan to have Merida make a coward brave. The Broken Kingdom")Afterwards, Emma returns to free Mr.

Gold, who continues to try and persuade her out of her plan, warning that no matter how good her intentions, she'll always lose her loved ones in the end. Emma considers his words for a moment, before ordering Merida to take Mr. Gold into the woods to begin making him a hero, as she herself enters a nearby shed, which is filled with hanging dreamcatchers. Taking down one particular dreamcatcher, which belongs to Violet, she clutches it to her chest and cries. Hoping to amend what she did to Violet six weeks ago in Camelot, Emma purposely releases the girl's horse, Nicodemus, so Henry can find it and earn Violet's admiration. Instead, Henry seeks Emma's help to track down the horse, while she remains unaware he is deliberately distracting her, giving Regina and the others time to search her house.

Upon entering the yellow bug, Henry tells Emma about how he won over Violet with Yaz's "Only You", the same song Neal had used on Emma. Learning Nicodemus likes pumpkin, Emma takes her son to a pumpkin market, Peter Peter's, where the horse is hiding. With some patience from Henry, the horse calms down, allowing the boy to grab its reins. That night, Emma turns up on Regina's doorstep, asking to see Henry.

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Regina confronts her about what she did to Violet, and when Emma expresses anger at her unearthing the truth, the brunette considers that anything with the Dark One is always a manipulation. Emma argues she took Violet's heart with good reason, to which Regina compares her to Cora, who did horrible things with "good reason". Emma insists she didn't have a choice, though Regina recalls Emma has said many times there is always a choice. Pushed to her limit, Emma reveals it was the only way to free Merlin. Regina then questions why she is still the Dark One if they freed the sorcerer, but Emma refuses to say and instead asks again for Henry. Regina refuses, closing the door, and as Emma walks away, she stops to look at the second floor window, where Henry briefly meets her gaze before closing the curtains. Dreamcatcher")Once Merida has pushed Mr.

Martin Scorsese - Wikipedia. Martin Charles Scorsese[1] (; [2]Italian: [skorˈseːze]; [note 1] born November 1. American director, producer, screenwriter, and film historian, whose career spans more than 5. Scorsese's body of work addresses such themes as Sicilian- American identity, Roman Catholic concepts of guilt and redemption,[7]faith,[8]machismo, modern crime, and gang conflict.

Many of his films are also known for their depiction of violence and liberal use of profanity. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinematic history. In 1. 99. 0, he founded The Film Foundation, a nonprofit organization dedicated to film preservation, and in 2. World Cinema Foundation. He is a recipient of the AFI Life Achievement Award for his contributions to the cinema, and has won an Academy Award, a Palme d'Or, Cannes Film Festival Best Director Award, Silver Lion, Grammy Award, Emmys, Golden Globes, BAFTAs, and DGA Awards.

Martin Charles Scorsese (/ s k ɔːr ˈ s ɛ s i /; Italian: [skorˈseːze]; born November 17, 1942) is an American director, producer, screenwriter, and film. Tribeca Film Festival Lineup Includes Whitney Houston, ISIS, Rodney King Riots Docs. Many articles and online tracts promoting the KJV and arguing against the use of modern versions.

He has directed works such as the crime film Mean Streets (1. Taxi Driver (1. 97. Raging Bull (1. 98. The King of Comedy (1.

The Last Temptation of Christ (1. Goodfellas (1. 99. Cape Fear (1. 99. Casino (1. 99. 5), some of which he collaborated on with actor and close friend Robert De Niro.[9] Scorsese has also been noted for his successful collaborations with actor Leonardo Di.

Caprio, having directed him in five films, beginning with Gangs of New York (2. The Wolf of Wall Street (2. Their third film together, The Departed, won Scorsese the Academy Award for Best Director in addition to the film winning the award for Best Picture.

Their collaborations have resulted in numerous Academy Award nominations for both as well as them winning several other prestigious awards. Scorsese's other film work includes the concert film The Last Waltz (1. After Hours (1. 98.

The Aviator (2. 00. Shutter Island (2. Hugo (2. 01. 1) and the religious epic Silence (2. His work in television includes the pilot episode of the HBO series Boardwalk Empire and Vinyl, the latter of which he also co- created. He won the Academy Award for Best Director for the crime drama The Departed (2.

With eight Best Director nominations, he is the most nominated living director and is tied with Billy Wilder for the second most nominations overall. Early life[edit]Scorsese was born in Queens, New York. His family moved to Little Italy, Manhattan, before he started school.[1. His father, Charles Scorsese, and mother, Catherine Scorsese (born Cappa), both worked in New York's Garment District. His father was a clothes presser and an actor, and his mother was a seamstress and an actress.[1. His father's parents emigrated from Polizzi Generosa, in the province of Palermo, Sicily, and his maternal grandparents were also from Palermo, precisely from Ciminna.

Scorsese was raised in a devoutly Catholic environment.[3] As a boy, he had asthma and could not play sports or do any activities with other children, so his parents and his older brother would often take him to movie theaters; it was at this stage in his life that he developed a passion for cinema. As a teenager in the Bronx, Scorsese frequently rented Powell and Pressburger's The Tales of Hoffmann (1. Scorsese was one of only two people who regularly rented that reel.

The other was future Night of the Living Dead director George A. Romero.[1. 2]Scorsese has cited Sabu and Victor Mature as his favorite actors during his youth. He has also spoken of the influence of the 1. Powell and Pressburger film Black Narcissus, whose innovative techniques later impacted his filmmaking.[1. Enamored of historical epics in his adolescence, at least two films of the genre, Land of the Pharaohs and El Cid, appear to have had a deep and lasting impact on his cinematic psyche. Watch Heroes Don`T Come Home Online there.

Scorsese also developed an admiration for neorealist cinema at this time. He recounted its influence in a documentary on Italian neorealism, and commented on how Bicycle Thieves alongside Paisà, Rome, Open City inspired him and how this influenced his view or portrayal of his Sicilian roots. In his documentary, Il Mio Viaggio in Italia, Scorsese noted that the Sicilian episode of Roberto Rossellini's Paisà, which he first saw on television alongside his relatives, who were themselves Sicilian immigrants, made a significant impact on his life.[1. He acknowledges owing a great debt to the French New Wave and has stated that "the French New Wave has influenced all filmmakers who have worked since, whether they saw the films or not."[1.

He has also cited filmmakers including Satyajit Ray, Ingmar Bergman, Michelangelo Antonioni, and Federico Fellini as a major influence on his career.[1. His initial desire to become a priest,[2.

Cardinal Hayes High School in the Bronx gave way to cinema and consequently, Scorsese enrolled in NYU's Washington Square College (now known as the College of Arts and Science), where he earned a B. A. in English in 1. He went on to earn his M. F. A. from NYU's School of the Arts (now known as the Tisch School of the Arts) in 1. Early career[edit]Scorsese attended New York University's Tisch School of the Arts (B. A., English, 1. 96. M. F. A., film, 1.

What's a Nice Girl Like You Doing in a Place Like This? It's Not Just You, Murray! His most famous short of the period is the darkly comic The Big Shave (1. Peter Bernuth. The film is an indictment of America's involvement in Vietnam, suggested by its alternative title Viet '6. Scorsese has mentioned on several occasions that he was greatly inspired in his early days at New York University by his Armenian American film professor Haig P. Manoogian. In 1. 96.

Scorsese made his first feature- length film, the black and white I Call First, which was later retitled Who's That Knocking at My Door with his fellow students actor Harvey Keitel and editor Thelma Schoonmaker, both of whom were to become long- term collaborators. This film was intended to be the first of Scorsese's semiautobiographical J. R. Trilogy, which also would have included a later film, Mean Streets. Scorsese became friends with the influential "movie brats" of the 1. Brian De Palma, Francis Ford Coppola, George Lucas and Steven Spielberg.[5] It was Brian De Palma who introduced Scorsese to Robert De Niro. During this period he worked as the assistant director and one of the editors on the documentary Woodstock (1. John Cassavetes, who would also go on to become a close friend and mentor.

In 1. 97. 2, Scorsese made the Depression- era exploiter Boxcar Bertha for B- movie producer Roger Corman, who also helped directors such as Francis Ford Coppola, James Cameron, and John Sayles launch their careers.[2. It was Corman who taught Scorsese that entertaining films could be shot with very little money or time, preparing the young director well for the challenges to come with Mean Streets. Following the film's release, Cassavetes encouraged Scorsese to make the films that he wanted to make, rather than someone else's projects. Championed by influential film critic Pauline Kael, Mean Streets was a breakthrough for Scorsese, De Niro, and Keitel.

By now the signature Scorsese style was in place: macho posturing, bloody violence, Catholic guilt and redemption, gritty New York locale (though the majority of Mean Streets was actually shot in Los Angeles), rapid- fire editing and a soundtrack with contemporary music. Although the film was innovative, its wired atmosphere, edgy documentary style, and gritty street- level direction owed a debt to directors Cassavetes, Samuel Fuller and early Jean- Luc Godard.[2. In 1. 97. 4, actress Ellen Burstyn chose Scorsese to direct her in Alice Doesn't Live Here Anymore, for which she won an Academy Award for Best Actress. Although well regarded, the film remains an anomaly in the director's early career as it focuses on a central female character.